Und Anderes Denk in Anderer Zeit




Shu Kewen


Art critic
Publications include "Painting Philosophy: Beauty is the Moment of Happiness", "Believe in Art, or Believe in Artists", "In the City: Narration of Urban Dreams", etc.

Huang Xinbo


Huang Xinbo (1916-1980), formerly known as Huang Yuxiang, under the pen na me Yigong, was born in Taishan, Guangdong.

1933, he went to Shanghai to participate in the Chinese Left-wing Writers Union and the Chinese Artists Union, and organized the Weiming Woodcut Club with Liu Xian to engage in the emerging woodcut movement under the guidance of Mr. Lu Xun. In the early twentieth century, Lu Xun introduced European woodcut prints to China. Huang Xinbo was one of the most important members of the emerging woodcut movement advocated by Lu Xun. His woodcut works absorbed some of the artistic elements of German expressionist artists such as Kollwitz, and was deeply influenced by the American printmaker Kent in terms of the poetic use of schema, knife and even symbolism. His works are unique in conception, clean language, and full of symbolism. He is recognized as one of the modern printmakers who a re best at using black and white contrast.

1936, he initiated the establishment of the Shanghai Woodcut Workers Association and participated in the second National Woodcut Mobile Exhibition; published the first collection of woodcut works "Road Tablet".

1938, he participated in the All-China Woodcarving Society Anti-Enemy Association established in Wuhan and was elected as a council member.

1939, he moved to Guilin and became one of the hosts of the meeting. After the Southern Anhui Incident, in order to commemorate the martyrs, he created works such as "He Did Not Die".

1943, he lived in Kunming. During this period, he published the woodcut collection "Heart Song". In 1946, he went to Hong Kong to work as a reporter for the "Chinese Commercial Daily" and initiated the organization of the Human Painting So ciety. His works during this period included "After Selling Blood" and so on.

1949, he returned to his hometown to join the Dongjiang guerrillas and then moved to Guangzhou with the army. The style of his works was influenced by the famous American printmaker Kent (Rockwell Kent 1882-1971).

Since 1950, he has served successively as the director of the Guangdong Provincial Art Studio, the chairman of the Guangdong Branch of the Chinese Artists Association, the vice chairman of the Guangdong Federation of Literary and Art Circles, and the dean of the Guangdong Academy of Painting. Member of the 4th National Committee of the Chinese Federation of Literary and Art Circles and Vice Chairman of the 3rd Council of the Chinese Artists Association. The works of this period include prints "Hengduan Nanhai", "Young People", as well as Lu Xun's poetry group paintings.

1978-1979, he held individual woodcut works exhibitions in Shenzhen and Beijing successively. Published "Selected Works of Xinbo Woodcuts", "Selected Works of Huang Xinbo", "Collections of Xinbo Prints", "Chunhua Sanji" (Hong Kong version) and so on.

Wang Jiahao


Architecture and art critic, architecture experimenter.Born in 1975 in Shanghai, China, He graduated from School of Architecture and Urban Planning, Tongji University in 1998.  He received a master's degree from China Academy of Art.  

Engaged in architectural design, urban research, and artistic creation, he is committed to exploring the process of urbanization under the pressure of global wonder capital and the renewal of social development mode under the conditions, and puts forward challenging criticism on the knowledge system and social production mechanism of "architects" as the creative subject.  He has long been concerned with the trends of contemporary architecture and thought, and his papers have been published in a variety of art and architecture journals.  In the past ten years, he has planned and organized exhibitions, forums and projects of cross-field cooperation between architecture, city and art. His personal works have participated in contemporary art exhibitions and biennales at home and abroad for many times.  

Now he is the presiding designer of the Plus Lab, co-hosting the historical research work of "Bauhaus situation and its contemporary Conditions", and planning and editing the series of publications of "BAU Series".  He lives and works in Shanghai and Beijing, China.  

Important exhibitions

"Ten Sheets of Paper 1953-1957: a Case study of Modern Chinese Art History", Beijing, China.

 "Yellow Box·Qingpu: Contemporary Art in Chinese Space", Shanghai, China.
 "City in Progress·Site Zhangjiang", Shanghai Zhangjiang Hi-Tech Park, Shanghai, China.

 "Between·Separation-Hai Shanghai LDFT Construction Site", Shanghai, China (cooperating with artist Wang Luyan).

 "Urban Construction-2002 Shanghai Biennale", Shanghai Art Museum, Shanghai, China.
 "Reinterpretation: Ten Years of Chinese Experimental Art-The First Guangzhou Triennial of Contemporary Art", Guangdong Art Museum, Guangzhou
 "Concrete-The Marginal Space of Chinese Modern Art", Front Wave Painting, New York, USA

 "Call for Plans for Liang Sicheng Memorial Hall-The First Liang Sicheng Biennale", National Art Museum of China, Beijing, China

 "Individual and Society in Art——Personal Reproduction in the Like Society", Guangdong Museum of Art, Guangzhou, China

 "Art + Architecture-Rice in/from China-Chinese Artist/German Architect Exchange Exhibition", Asia Art Factory, Berlin, Germany

 "New Asia, New City, New Art-A China-Korea Contemporary Art Exhibition", Shanghai Museum of Contemporary Art, Shanghai, China  

Fan Bo


Fan Bo born in Tianjin in 1966. He graduated from Tianjin Academy of Fine Art and received a MFA from Guangzhou Academy of Fine Arts and a PhD from Central Academy of Fine Arts. He is currently the Deputy Dean of the Guangzhou Academy of Fine Arts, the director of the Academic Committee of the Guangzhou Academy of Fine Arts, a doctoral tutor. He also is an expert at the Degree Center of the Ministry of Education and a member of the Seventh Degree Committee of Guangdong Province, concurrently serving as vice chairman of Guangdong Artists Association, director of Oil Painting Art Committee, and member of Oil Painting Art Committee of China Artists Association.


Fan Bo is a interdisciplinary artist leading with topics, medias and contexts appropriated to his main interests as the exploration into mind and the subsequent exchange with different protagonists from the society. Starting from his investigation of the zeitgeist to his creative experimentations on re-examining perception, he has always been keen and sensitive. It was a long journey passing by abstract and concept works in a temptation of representation of the unseen and untouchable human mind.


His works have been exhibited in renowned art institutions such as Charzen Museum of Art (Wisconsin, United States), Musée de Salagon (France), Museo dell'Opera del Duomo (Italy), National Art Gallery (Bulgaria), Arlitt Art Museum (Sweden), Museum Angerlehner (Austria), the Foundation for Art and Culture Bonn (Germany), Palazzo Miciel (Italy), MODEM Centre for Modern and Contemporary Arts (Hungary), KUNSTEN-Museum of Modern Art Aalborg (Denmark), Mantua Youth Museum (Italy), Imperial Museum of Arts (St.Petersburg, Russia), National Taiwan Museum of Fine Arts, National Art Museum of China, Shanghai Art Museum, Power Station of Art, Guangdong Museum of Modern Art, Hubei Museum of Art, United Art Museum, Tianjin Art Museum and Xi’an Art Museum.


Selected solo exhibition:

Back To The Origin, Trealm Hui Art Space, Guangzhou, China.


Parallel, X gallery, Beijing, China.

Illusion of Reality- Social Investigation of Fan Bo, K space, Chengdu, China.

Floating, Guangzhou Opera House, Guangzhou, China.

Driftng apart, OV gallery, Shanghai, China.

"Retroactive History"(1997-2007) , Guangdong Museum of Art, Guangzhou, China.

Quality -- Fan Bo, Art Museum of Guangzhou Academy of Fine Arts, Guangzhou, China.


Selected group exhibition:

Extended Theatre -- The 1st Public Art Exhibition in Nanhai, Foshan, China.


Beyond the well - Special Invited Exhibiton for the 10th Anniversary of Xi’An Art Museum in 2019 & Literature Exhibition for the 10th  Anniversary of Xi’An Art Museum,  Xi’An,  Xi’An Art Museum.

Symbiosis: The Intertextuality of Art and Poetry, OCAT Shenzhen, Shenzhen, China.

Anren Biennale 2ND: A Confrontation of Ideals, Overseas Chinese Town Creative Culture Park, Chengdu, China.

Curitiba International Biennale of Contemporary Art, Oskar Niemeyer Museum/City Art Museum, Curitiba, Brazil.

Extreme Mix, Guangzhou Airport Biennale, Guangzhou Airport resort, Guangzhou, China.

The 12TH China Art Festival National Exhibition of Excellent Art Works, China Art Museum Shanghai, China.

Formation and Evolution, 22/F, North Point Industrial Building, HK, China.

The 6th Guangzhou Triennial - Satellite Venue - OCT Boxes Art Museum: Symbiosis - Future, OCT Boxes Art Museum, Shunde, China.

 History and reality: Contemporary Chinese Art, National Gallery of Art, Bulgaria, Bulgaria.

“History and Reality” Ningbo Contemporary Art Festival and Contemporary Art Exhibition, Ningbo Museum of Art, Ningbo, China.

Redefining the city with context beyond the wall  2017Xi’An  Contemporary  art exhibition, XI’AN,  XI’AN Art Museum.

Auditing, Powerlong Art Center, Hangzhou, China.

HEIMAT The 2018 Guang’an Field Art Biennale,  Guangan, China.
“Poetic Ubiety” Meishan Land Art Festival, Chengdu, China.

FIVE PULS FIVE Sculptures from China and Great Britain in Hainan, Haikou, China.

UNIQUE AND LOCALE -- Western China International Art Biennale, Hohhot, China .

Contemporary Artists Manuscript Invitation Exhibition, Art Museum of School of Fine Art of South China Normal University,  Guangzhou, China.

Aura and Vitality, Hive Center for Contemporary Art (Shenzhen), Shenzhen, China.

South of the Mountain, Historical Center of Florence, Florence, Italy.

Objects and Intuition: A way of seeing,  Boxes Art Space, Shenzhen, China.

Dialogue with Manuscripts: The secret of painting, Duolun Museum of Modern Art, Shanghai, China.

Scarcity & Supply——The 3rd Nanjing International Art Festival, Baijia Lake Art Museum, Nanjing, China.

Images pool, Ginkgo Art Center, Beijing, China.

The Return of Elegancy——Chinese Contemporary Art Exhibition, Shenzhen Art Museum, Shenzhen, China.

Seven samples, Enjoy-Art Museum Beijing, China.

Harmony, Tianjin Art Museum, Tianjin, China.

MODELS, Elion Art Museum, Beijing, China.

Confronting Anitya——Orientai Experience in Contemporary Art, Kunstwetk Charlshuette, Hamburg, Germany.

Confronting Anitya——Oriental Experience in Contemporary Art, Museum Angerlehner, Wales, Austria.

Latitude 23 ° N/35 ° N, The University Art Museum, Tokyo University of the Arts, Tokyo, Japan.

Communication, Imperial Museum of Arts, St. Petersburg, Russia.

Art Historical Flashbacks:Another Path in Chinese Contemporary Art, Elion Art Museum, Beijing, China.

Tradition and Innovation: The Creation of Things in Contemporary Chinese Art, Charzen Museum of Art, Wisconsin, USA.

Heart and Vision: An Experiment of Visual ART and Design, Berlin Chinese Art Center, Berlin, Germany.

A Tale of Two Cities, Duolun Museum of Modern Art, Shanghai, China.

Beeaking The Image, Sishang Art Museum, Beijing, China.

Liberating the Past From the Present : Contemporary Art in China, Arlitt Art Museum, Stockholm, Sweden.

Open Minds——Works on Paper 2015,K. Gallery, Chengdu, China.

To be or not to be,  Artoon Art Center/Shanghai ,China.

8+1 A Project of Experimental Art, Guangdong Contemporary Art Center, Guangzhou, China.

"Scatter" , University of South Australia Art Museum, Adelaide, Australia.

West Says East Says——Chinese Contemporary Art Research Exhibition, United Art Museum, Hubei, China.

Next Station: Guangzhou, Art Museum, Guangzhou Academy of Fine Arts, Guangzhou, China.

RE:PORTRAIT——The 2013 Hall three official 1 Art Exhibition, Hubei Museum of Art, Hubei, China.

Landscape reconstruction, MODEM Centre for Modern and Contemporary Arts, Debrecen, Hungary.

Inter Vision - Across-Straight Contemporary Art Exhibition, National Taiwan Museum of Fine Arts, Taiwan, China.

Portrait of the Times - 30 Years of Chinese Contemporary Arts Power Station of 2013, Art Power Station of Art, Shanghai, China.

Hard Lenses, Ovation Art Space, Beijing, China.

Chinese oil painting biennale of 2012, In the contemporary——National Art Museum of China, Beijing, China.

Chinese painting and contemporary society, National Art Museum of China, Beijing, China.

Zhuang Hui


Zhuang Hui was born in 1963 in Yumen Town, Gansu Province, China. He left his hometown to study in Luoyang City at the age of thirteen and started to study painting by himself. In 1979, after graduating from high school, he became a worker at the state-run Luoyang No.1 Tractor Factory.In 1996, he moved to Beijing and became an artist.During his engaged and fruitful artistic career.


Zhuang Hui participated in a number of exhibitions including:

2019 Beijing New Century Contemporary Art Foundation, Beijing  

2018 UCCA Dune Museum, Beidaihe Anaya, Hebei  

2017 Beijing Changqing Gallery, Beijing  

2016 21st Century Minsheng Art Museum, Shanghai  

2015 Foam Photography Museum of the Netherlands, Amsterdam  

2014 Frankovan Museum, Bonn, Germany  

2012 Shanghai Museum of Contemporary Art, Shanghai  

2009 Salt Lake Arts Center, Utah  

2008 Museum of Groningen, Groningen  

2007 Tate Liverpool, Liverpool  

2006 Evergreen Gallery, SAN Jimenano  

2005 Gallery Bern, Bern  

2004 International Center of Photography, New York  

2003 Center Pompidou, Paris  

2002 Deichtorhallen, Hamburg  

2001 Basel Beyeler Art Museum, Basel  

2000 Fifth Lyon Biennale, Lyon  

2000 Leigh Walton Gallery, The Netherlands  

1999 48th Venice Biennale, Venice  

1999 First Fukuoka Asian Art Triennial, Fukuoka  

1999 LCA Contemporary Art Research Centre, London  

1998 Eislingen Museum, Germany  

1997 NBK Art Center, Berlin  

1996 Hamburg Art Museum, Hamburg  



Born:1983, Shanbei Province, China

Currently lives and works as an independent artist in Beijing ,China




Soil, OCAT Contemporary Art Center xi 'an, Xi 'an, China.



Multiphase · Overlapping -- Guangzhou Image Triennale.



Civilisation  Round 2: Yulin, OCAT Xi’an,Xi’an,CN.

China• 8, Folkwang Museum , Bonn, Germany.



"Black Bridge at night", Beijing, China.



“The Unseen—The Exhibition of the Fourth Guangzhou Triennial”,Guangdong Museum of Art, Guangzhou, China.

“Reactivation—9th ShanghaI Biennale” Power Station on  of  Art Shanghai,China.



“You art not a gadget” Pékin Fine Arts, Beijing, China.

“Magic Space”,Today Art Museum, Beijing, China.

“The Couple Show”,Shanghai Gallery of Art, Shanghai, China,

“Guan Xi:Contemporary Chinese Art”,Guangdong Museum of Art, Guangzhou, China.

“The Second Academic Exhibition of Chinese Contemporary Prints Print·Concept ”,Today Art Museum, Beijing,China.

Poster Exhibition Top Contemporary Center, Shanghai, China. 

“Guan Xi:Contemporary Chinese Art”,Today Art Museum Beijing ,China.



“REM(A)INDERS”,Galleria Continua, Beijing, China.

“Four Dimensions -Contemporary Photography from Mainland China, Hong Kong &Macao” Hong Kong Arts Center, Hong Kong, China.



“Allegorical Aftermath” Shanghai Gallery of Art ,Shanghai, China.

“Yumen 2006-2009: Photography Project Zhuang Hui and Dan’er ”,Three Shadows Photography Art Center, Beijing, China.



“Subtlety”,Platform China, Beijing, China.


Ren Congcong


Associate professor, School of Architecture and Urban Planning, Beijing University of Civil Architecture and Architecture.

She graduated from The University of Tokyo with a PhD in Engineering.The research fields are history of science and technology, history of architecture, and protection of cultural heritage. The current research object is traditional building techniques.In recent years, she has presided over one "Hundred Talents Program" (Category C) of Chinese Academy of Sciences and one national Natural Science Youth Foundation project.  Published many academic papers in Chinese and foreign languages;  Obtained a number of national patents of prefabricated nodes;  Translated and published the classic works of architectural phenomenology --<The Eye of the Skin> and<The Thinking Hand> by The Finnish architect Palasma;  Her field work video recording works have been exhibited at home and abroad for many times.  

Wang Jianwei


Born in 1958 in Sichuan, China, he now lives and works in Beijing.


Since the 1990s, Wang Jianwei has been exploring the influence of knowledge synthesis and interdisciplinary on contemporary art, trying to use different disciplinary methods to create new artistic language, that is, developing and establishing one from a cognitive level among many relationships.  The possibility of a new subject; in the context of knowledge synthesis, with philosophical inquiry, practice an interdisciplinary way of viewing the world, and give these practices a form.  To this end, his art works present multiple styles, spanning the fields of film, drama, multimedia, installation, painting, and text.

Wang jianwei has been invited to participate in many international film festivals, theater festivals, art exhibitions and important academic activities.  In 2008, Wang jianwei was awarded the 2008 Artist of the Year award by the Foundation for Contemporary Art (FCA).  

Part of the solo exhibition:

2021 "Always, Not All", Long March Space, Beijing.

2018 "Cambrian" West Bund Art & Design Expo, Shanghai, China/Shanghai 21 Contemporary Art Fair.

2015 "Dirty" Long March Space, Beijing, China.

2014 Temple of Time, Solomon.R. Guggenheim, New York, USA.  

2011 yellow Light, Ullens Center for Contemporary Art, Beijing, China.

2010 "Welcome to the Real Desert" Beijing, Switzerland, Zurich, Geneva, Basel.  
2009 "Time theater exhibition", Today Art Museum, Beijing, China.  
2008 "Signs" Wang Jianwei large-scale theater exhibition, He Xiangning Art Museum, OCT Contemporary Art Center.


2004 Asia Pacific Contemporary Art Center, Sydney, Australia.

2003 Walker Art Center, USA.

Part of the group exhibitions:

2020 Space leader APSMUSEUM opens exhibition, Shanghai, China.  


"Freedom prism, Wave of Video", OCT Box Art Museum, Foshan, China.  

"Move on China 2019 Brave New World -- Zhang Peili, Wang Jianwei, Feng Mengbo", Hao Art Museum, Shanghai, China. 

Extreme Mixing: Guangzhou Airport Biennale 2019, Guangzhou, China.

Critical:Yuelai Art Exhibition, Chongqing, China.

Advent: Inventing landscape, Making Earth, Shanghai, China.


Chengdu Pompidou: Global City international Art Biennale, Chengdu, China.


"What about art?  Contemporary Art from China, "Qatar Museum of Art, Doha, Qatar.  


"Sharjah Biennial", Sharjah.  


"The Art of Change: A New Direction for China", Hayward Gallery, London South Bank Centre, London, UK. 


The 4th Moscow Biennale, Moscow, Russia.  


"Edge of Elsewhere" Australian Triennial, Campbelltown Arts Centre, Australia.  


"National Heritage: A Study in the Political history of vision", University of Manchester, UK, Holden Gallery.  


Detour to China, Hebbel am Ufer, Berlin, Germany.


"Modern China," Museum of Modern Art (MOMA).  

"Seoul International Media Biennale", Seoul, Korea.  


"50th Venice Biennale", Venice, Italy.  

"Paris Autumn Theatre Festival", Centre Pompidou, Paris, France.  


The 25th Sao Paulo Biennale, Sao Paulo Biennale pavilion, Brazil.  


Interpretation of Behavior, Berlin World Palace of Art, New York queens Museum, USA.  


World Video Festival, Amsterdam, Netherlands. 

"Brussels Art Festival", Brussels, Belgium.  


"10th Yamagata International Documentary Film Festival", Yamagata, Japan.


"City on the Move", P.S.1 Contemporary Art Center, USA, Hayward Gallery, London, UK.  


10th Documenta, Kassel, Germany.  

Qi Xiaojin


Graduated from the Yuanpei Program Experimental Class and Sociology Department of Peking University.

Now the deputy director of the Humanities and Creative Urban Research Institute of Tsinghua Tongheng Planning and Design Institute. 

Li Jinghu


Born in 1972 in Dongguan, Guangdong province, he now lives and works in Chang 'an, Dongguan.  Li jinghu's work focuses on installations and sculptures, and he is good at integrating the elements of daily life with the personal history of The Times.  Through continuous reflection on society, industry and capitalism.  Li jinghu's work seeks to capture and transcend the boundary between collective and individual expression.  

Solo exhibition

2019 Companion, Magic Stone Space, Beijing, China,  

2018 Meet again after a long separation, contemporary Art Space, Dongguan, China.  

2018Time is Money, Magic Stone space, Beijing, China.  

2014 Efficiency is Life, Magic Stone Space, Beijing, China.  

2011 Cut, Yangzijiang Forum, Wuhan, China.  

2010 Snowman, Arrow Factory Space, Beijing, China.  

2009 Li Jinghu: Forest, Observation Society, Guangzhou, China.  

2009 Li Jinghu: One Day, Art Location, Shenzhen, China.  

2006 No problem, Shenzhen Sculpture Institute, Shenzhen, China.  


Group Exhibitions


Guangzhou-style Consumerism, Xun Art Museum, Shunde, Foshan, China.  



The South is not an island, OCAT Shenzhen, Shenzhen, China.  



Companion, Magic Stone Space, Beijing, China.  

Walking On: The Urban Narrative of Chinese Contemporary Art, 1995-2009, Duolun Art Museum, Shanghai, China Color Threshold, Hao Art Museum, Wenzhou, China.  

Pearl River Night Tour - Post-Pearl River Delta Landscape, Guangdong Museum of Art, Guangzhou, China.  

In this world, We, Bard College Hessel Museum, New York, Hong Kong-Shenzhen Biennale, Convection City, Yantian Exhibition Hall, Shenzhen, China.  

The 4th Today Documenta: Suture, Today Art Museum, Beijing, China.



To place, Guangzhou Taikoo Hui L3 south glass box, Guangzhou, China.  

West Bund Art & Design Fair, Shanghai, China.  

Fiac Art Fair, Paris, France.  

Secret Love, Para Site Art Space, Hong Kong, China.  

Art Basel Hong Kong, Hong Kong, China.  

Cleveland Triennial of Contemporary Art, Akron Gallery, Akron, USA.  



Art Gathering Space, Art Basel Hong Kong, Hong Kong, China.  

Lei-p ā, ST PAUL ST Gallery, Auckland, New Zealand.  

Among friends, Bolerli Gallery, Beijing, China.  



11th Gwangju Biennale, Gwangju, Korea.  

New International: Another world is possible, namely Space, Sanya Addison Hotel, Sanya, China.  

A Beautiful Disorder, Cass Sculpture Foundation, West Sussex, UK.  

First Biennale of Yinchuan Contemporary Art Museum, Yinchuan, China.  

More Than Lovers, More Than Friends, Futura Center for Contemporary Art, Prague, Czech Republic.  

Worldchange, Pare Site, Hong Kong, China.  

Urban Dictionary, 33 Contemporary Art Center, Guangzhou, China.  

Our Future, Red Brick Art Museum, Beijing, China.  

South by Southeast,a plane extension, Guangdong Times Museum, Guangzhou, China.  

Landscape of events, OCAT Center for Contemporary Art, Shenzhen, China.  

Outside the Stranger, Paris - Beijing Gallery, Paris, France.  

Living Traces, Ullens Center for Contemporary Art, Beijing, China.  

Art Basel Hong Kong, Hong Kong, China.  

Asia Now 2016 Asia Art Fair, Paris, France.  



Temperature: Contemporary Art Invitational Exhibition, Shenzhen Art Museum, Shenzhen, China.  

Material System, Shanghai Minsheng Modern Art Museum, Shanghai, China.  

Institutional Production - An ecological survey of Young contemporary art in Guangzhou, Guangdong Art Museum, Guangzhou, China.  

"Home, Away from Home, A Geographical Sample of Art" four-person exhibition, Taikang Space, Beijing, China. 

Frieze London Art Fair, London, Art Basel Hong Kong, Hong Kong, China.  

015 Temperature: Contemporary Art Invitational Exhibition, Shenzhen Art Museum, Shenzhen, China.  

Material System, Shanghai Minsheng Modern Art Museum, Shanghai, China.  

Institutional Production - An ecological survey of Young contemporary art in Guangzhou, Guangdong Art Museum, Guangzhou, China.  

"Home, Away from home, a Geographical sample of Art"four-person exhibition, Taikang Space, Beijing, China.  

Frieze London Art Fair, London, UK.  

Art Basel Hong Kong, Hong Kong, China.  



Shenzhen Public Sculpture Exhibition, Shenzhen Public Art Center, Shenzhen, China.  

"HAMMER HAMMER bang!"  A-307, Beijing, China.  

Stone, Wood and Paradise Syndrome, 1933 Contemporary Art Space, Shanghai, China.  

It's impossible to think of anything else, Guangdong Times Art Museum, Guangzhou, China.  

Positive Space, Guangdong Times Art Museum, Guangzhou, China.  

West Bund Art & Design Fair, Shanghai, China.  

8th Shenzhen Sculpture Biennale, OCT Contemporary Art Center, Shenzhen, China.  



Painterly, BANK, Shanghai, China.  

Rural poetics, Secretion field, Beijing, China.  

ON | OFF: the concept and practice of Chinese young artists, the ullens center for contemporary art, Beijing, China.  

14th OPEN International Performance Art Festival, Space Station, Beijing, China.  



The 5th Shanghai Duolun Young Artists Group Exhibition, Duolun Modern Art Museum, Shanghai, China.  

What is it about the end of the world that makes it so appealing, View Art Center, Shanghai, China.  

Pulse Response - an exchange project on art practice, Times Art Museum, Guangzhou, China.  

Smile, Helu Space, Beijing, China.  

Something must happen, K11 Art Village, Wuhan, China.  

Exhibition, Taikang Space, Beijing, China.  

Frontier Exhibition, Experimental Culture production society, Hong Kong, China.  



Third Party - Trinity Exhibition, Platform China B Space, Beijing, China.

The 1st Nanjing Biennale, Jiangsu Art Museum, Nanjing, China.  

Gao Guang - Arrow Factory Collection exhibition, Arrow Factory Space, Beijing, China.  

Loud Exhibition, Sanlitun SOHO, Beijing;  800 Xiu, Shanghai, China. 



Workshop: How Artists Work, Iberia Center for Contemporary Art, Beijing, China.  



"If I Love" contemporary art Exhibition, Sokka Art Center, Beijing, China.  

Homesickness, Ladder Space, Beijing, China.  



In and out, Shenzhen Sculpture Institute, Shenzhen, China.  

A castle in the underground,Para Site Art Space, Hong Kong, China.  



Visual Special zone -2004 Shenzhen Youth Experimental Art Exhibition, Shenzhen Art Museum, Shenzhen, China.  

Wang Yin


Borned in 1964 in Jinan and grew up in Qingdao.  She graduated from the Department of Stage Art, Central Academy of Drama in 1988.  Now she lives and works in Beijing.  

Wang Yin runs her personal emotional experience and thought through her understanding of the history of modern painting, internalizing the influence of the outer edge into a purely personal life experience.  The objects with introverted and quiet colors in Wang Yin's paintings often convey the inner spirit of contemporary life under the cover. The subjects in the paintings are often nameless people, nameless objects and nameless places. The more nameless they appear, the closer they seem to be to the original state of our encounter with the world.  

Wang Yin's recent solo exhibitions include:
2021"Wang Yin 2021", Floor A07, 798 Art District, Beijing

2018"Friendship", Mirror Garden, Guangzhou
2016 The Gift, Ullens Center for Contemporary Art, Beijing

Zhang Hui


Born in Hei Longjiang in 1967.  

He graduated from the Central Academy of Drama in 1991.  

He teaches at the Stage Art Department of the Central Academy of Drama. He lives and works in Beijing.  


Exhibition Records/Some solo Exhibitions:

2020 Middle East Railway: Zhang Hui, Long March Space, Beijing, China.  

2018 Zhang Hui 2018, Long March Space, Beijing, China.  

2016 Zhang Hui, Long March Space, Beijing, China.  

2014 Dry Field, Long March Space, Beijing, China.  

2012 Open Space, Long March Space, Beijing, China.  

2009 21 and a half floors, Long March Space, Beijing, China.  

2008 Ready for the Long March space, Beijing, China.  

2006 Local area, Long March Space, Beijing, China.  



Exhibition Records/Some Group Exhibitions:


The 7th Jianghan Star Project·Young Artists Research Exhibition, Wuhan Art Museum, Wuhan, China.  



Continuous: Chinese Art in Motion, Beijing Minsheng Art Museum, Beijing, China.  

Urgent Meditation, UCCA Florence Center for Contemporary Art, Beijing, China.  



Map drawing, Beijing Contemporary art Exhibition, Art Narrative unit, National Agriculture Exhibition Center, Beijing, China.  

Beijing Xinyu, Sanyuan Contemporary Art Center, Beijing, China.  

Gathering chi K11, Shenyang, China.  



Lu Renjia, Shanghai Star Art Museum, Shanghai, China.  

Social Emotions, Cc Foundation, Shanghai, China.  

Free Field -- Beijing 798 contemporary Art Exhibition, Guiyang 798 Art Center, Guiyang, China.  

Post-Sensibility: Fear and Will, Shanghai Ming Contemporary Art Museum, Shanghai, China.  



Talk, Talk, Remaining Space, Wuhan, China.  

Post-sensibility: Fear and Will, Minsheng Modern Art Museum, Beijing, China.  

First Daojiao New Art Festival, XI Contemporary Art Center, Dongguan, China. 

Before and after II, Long March Space, Beijing, China.  

2nd Ningbo International Contemporary Art Exhibition: Air, Ningbo Art Museum, Ningbo, China.  



Project -- Xiao Xiong, Zhang Hui, Mizen Gallery, Shanghai, China.  

2015 Chengdu Blue Top Art Festival Theme Exhibition: Drawing Notes, Chengdu Blue Top Art Museum, Chengdu, China.  

Tangzhi District, Hongzhuan Contemporary Art Museum, Guangzhou, China.  



Reasons for Painting -- About Wang Yin, Zhang Hui, Duan Jianyu, Oil Painting Department, Sichuan Fine Arts Institute, CAEA Art Museum, Chongqing, China.  

Other flows: Six Chinese contemporary artists,Bernier-Eliades Gallery, Athens, Greece.  

Focus on Beijing: Heus-Zomer collection, Boimans Van Berningen Art Museum, Rotterdam, Netherlands.  



11th Sharjah Biennale: Reborn -- New Cultural Mapping, Sharjah, UAE. 



Pulse Response -- an exchange program on art practice, Guangdong Times Museum, Guangzhou, China.  



Long March Space Spring Comprehensive exhibition, Long March Space, Beijing, China.

The Rest of the beautiful, Tang Contemporary Art Center, Beijing, China.



Long March Project - Hu Zhi Ming Trail (Beijing Station), Long March Space, Beijing, China.  

The Jungle -- a Glimpse of Chinese contemporary art ecology, Platform China, Beijing, China.  

8th Shanghai Biennale: Touring Rehearsal, Shanghai Art Museum, Shanghai, China.  



The Bourgeois proletariat, Songjiang Creative Workshop, Shanghai, China.  



The 3rd Guangzhou Triennial: Goodbye to Postcolonialism, Guangdong Museum of Art, Guangzhou, China.  

Long March Capital iii, Long March Space, Beijing, China.  



Mixed life, Fang Yin Space, Beijing, China.  

Vision gathering group: Oh good day, Long March Space, Beijing, China.  



Incest, Platform China, Beijing, China.  

Stage opera, Platform China, Beijing, China.  



5th Shanghai Biennale: Living Images, Shanghai Art Museum, Shanghai, China.  

"Left Wing" Contemporary Art Exhibition, Left Bank Commune, Beijing, China.



Ode to Joy Contemporary Art Exhibition, Nanjing Shenghua Art Center, Nanjing, China.  

Trojan Horse contemporary art Exhibition, Nanjing Shenghua Art Center, Nanjing, China.

Water Environment Art Exhibition, Beijing, China.  

Reengineering 798 Contemporary Art Exhibition, 798 Art District, Beijing, China.  

Post Sensibility: Inside, Seven Colors of Light Children's Theatre, Beijing, China.  



China, Japan and Korea Theater Works Exchange Exhibition, Seoul, Korea.  

Non-linear Narrative, Multimedia Art Festival, Hangzhou, China.  

Retribution series exhibition, Mustard Garden, Beijing, China.  



Voice 2. Mustard Garden, Beijing, China.  

Mustard Garden opening exhibition, Mustard Garden, Beijing, China.  

New Starting Point, Artist Warehouse, Beijing, China.  

Post Sensibility: Carnival, Beijing Film Academy studio, Beijing, China.  


Sound, Beijing Contemporary Art Museum, Beijing, China.  

Shanghai "Home" Contemporary Art Exhibition, Shanghai, China. 



"Counter-vision" Art exhibition, Beijing Jianshe University, Beijing, China.



Painting Exhibition, Central Academy of Fine Arts Gallery, Beijing, China. 


Space installations and multimedia performances:  


Black and White Zoo, Taipei, Taiwan.  

Vision gathering Group: What are they doing?, space installation, Mixed life, Fang Yin Space, Beijing, China.  

Vision gathering group: Where is Ding Yuzhong on October 1st, 2nd and 3rd, multimedia performance, Beijing, China.  



Glass Zoo, Space Installation, Collaboration with Yujia, Hushen Gallery, Shanghai, China.  

So the time happily passed, device, incest, platform China, Beijing, China.  

Neglected or nowhere to hide, multimedia show, drama, platform China, Beijing, China.  

Hum hum hum...  , Multimedia Performance, Taipei Fine Arts Museum and Kaohsiung Fine Arts Museum, Taiwan.  

Non-stop dancing, multimedia performance, New York, USA. 

Vision gathering group: Representation time, multimedia performance, Beijing, China.  

Maze, vision gathering group in collaboration with China Academy of Fine Arts, multimedia performance, Shanghai, China.  

Wedding, multimedia performance, Beijing, China. 



Form a vision gathering group.  

Residual joy, installation, proposal Art Center, Beijing, China.  

Solo, Multi-media Theatre, 5th Shanghai Biennale: Living images, Shanghai Art Museum, Shanghai, China.  

Chorus, multimedia performance, "Left Wing" contemporary Art Exhibition, Left Bank Commune, Beijing, China.  



Top Kill 4, Performance installation, cooperation with Shiqing, Ode to Joy Contemporary Art Exhibition, Nanjing Shenghua Art Center, Nanjing, China.  

Top Kill 3, Performance installation, cooperation with Shiqing, Trojan Horse Contemporary Art Exhibition, Nanjing Shenghua Art Center, Nanjing, China.  

Unable to park or Chinese kung fu, installation, Water environment Art Exhibition, Beijing, China.  

Songhe Community, Installation, Re-creation of 798 Contemporary Art Exhibition, 798 Art District, Beijing, China.  

Hamlet, Performance Installation, Post-sensibility: Inside, Seven Colours of Light Children's Theatre, Beijing, China.  



Oh, my Sun, performance Installation, Hangzhou Non-linear Narrative Multimedia Art Festival, Hangzhou, China.  

Top kill two, in cooperation with Shiqing, Retribution series exhibition, Mustard Garden, Beijing, China.  



Kill me rather than hear your voice, Sound performance device, Voice 2, Mustard Garden, Beijing, China.  

Popular here, multimedia installation, New Starting point, artist warehouse, Beijing, China.  

You are in your Heart, You are in my Lungs, multimedia installation, post-perceptual: Carnival, Beijing Film Academy studio, Beijing, China.  



Lost Sound, multimedia installation, Sound, China Contemporary Art Museum, Beijing, China.  

Afternoon I lie quietly at home, Space Installation, Shanghai "Home" Contemporary Art Exhibition, Shanghai, China.  


Exhibition Records/Some solo Exhibitions:


Hear our voice, Musical stage design, Beijing Tianqiao Theatre, Beijing, China.  

Grain in Ear, Film Art Director, China.  

Leather face, Stage design, Beijing Human Arts Experimental Theatre, China.  



10th Prague International Stage Art Quadrennial exhibition, National Pavilion design, Prague, Czech Republic.  



Spring, Summer, autumn and Winter of Chou 'er, Stage design, China Children's Art Theatre, Beijing, China.  



Screen, Stage design, Brussels International Art Festival, Brussels, Belgium;  Brighton International Festival, Brighton, UK.  



Evolution jazz, Stage design and multimedia, Poly Theatre, Beijing, China.  



8th Prague International Stage Art Quadrennial, Prague, Czech Republic.  

Rooftop, Director, Beijing People's Art Theater, China.  



Compassion · Ten Plots, Scene Works, Central Academy of Drama Playground, Beijing, China.  



Homage to Picasso, Post work, Beijing, China.  



Sifan, Stage design, Beijing, China;  Tokyo Art Festival, Tokyo, Yokohama, Matsumoto tour, Japan.  

Yang Maoyuan



Born in Dalian, China in 1966

1989 Graduated from the Printing Department of central Academy of Fine Arts
Currently lives and works in Beijing

Solo exhibition


Backup of Memory, HdM Gallery, Beijing, China.  

Latitude of Thinking, Cofco Land Plaza (Project), Beijing, China.
"Sunshine" The 7th Art Changsha "Experience and Strategy", Hunan Provincial Museum, Changsha, China.
"Daily life: Yang Maoyuan", Songzhuang Art Museum, Beijing, China.  

"Daily: Yang Maoyuan", Platform China (Project), Beijing, China.  

"Yang Maoyuan - Xiangxiang", Platform China, Beijing, China.

Gobi, Fifth Fifth Gallery, Shanghai, China.  

"Shape, Yang Maoyuan's Secret", Tai Chi Art Space, Hong Kong, China.  

Mandala, Platform Chinese Art Institute, Beijing, China.

"Yang Maoyuan: Traces of Time", Gallery IHN, Seoul, South Korea.  


Temperature of the North, Jiuli Art Museum, Shenyang, China.  

Light and Temperature, Pin Gallery, Beijing, China.


Citizen of Loulan, ABC-Arte, Genoa, Italy.


"Yang Maoyuan 2010", Today Art Museum, Beijing, China.

Look in, Medici Riccardi Palace, Florence, Italy.  


"Quiet!88 Buddha Statues to Shanghai", 2008 Shanghai Contemporary Art Fair, Shanghai, China.  

"Yang Maoyuan: Prototype, Horse and Qi", ALEXANDER OCHS GALLERY, Berlin, Germany.  


Traces of Time, Blank Space, Beijing, China.  

Look in, Danish Art Center, Beijing, China.  

Look in, Dongda Mingchuangku, Shanghai, China.  

Food in cow's Stomach, World Square Art Center, Beijing, China.  


Yang Maoyuan Exhibition, Guangyuan Building, Beijing, China.

"Family" and "Landmark", Lop Nur (hinterland of Taklimakan Desert).  

Group exhibitions

Tears of Love I, Lin University Art Center, Beijing, China.  

15th Anniversary Special Exhibition safe Distance, Five Five Gallery, Shanghai, China.  

Platform China 15th Anniversary Exhibition, Platform China Contemporary Art Institute, Beijing, China.  

Let's Go to Dafang, Qimu Space, Beijing, China.  

Orientation and Interest of New Painting, Department of Fine Arts, Sichuan Fine Arts Institute, Chongqing, China.  

"Summer Group Exhibition: Common Things", Platform China, Beijing, China.  

"The topology of territory-geography", OCAT research centre, Beijing, China.  

Territorial-geographic Topology, OCAT, Shanghai, Beijing, China.  

"Convection" Sino-Pakistan Contemporary Art Exhibition, Beijing Minsheng Modern Art Museum, Beijing, China.  

"Stress Field" the 4th Art Documentary Exhibition, Hubei Art Museum, Wuhan, China.  

Depression and Supply, Baijia Lake Art Museum, Nanjing, China.  

Clue 3, Minsheng Modern Art Museum, Beijing, China.  

Consciousness: Twelve Views on Painting, Contemporary Tang Art Center, Beijing, China.  

Xiangjiang River northward - Collection exhibition of Tan Guobin Contemporary Art Museum, Changsha, China.  

"The Name of Everyday" -- Everyday Discourse and Idea Generation in Chinese Contemporary Art, Blue Top Art Museum, Chengdu, China.  

"Little Logic" -- Language Coding and Discourse Expression in Contemporary Art, Green Meadows Gallery, Beijing, China.  

The state, Upper House space, Beijing, China.  

We, Songzhuang Art Museum, Beijing, China.

Western China International Art Biennale, Yinchuan Culture and Art Center, Yinchuan, China.  

Slow Living, Li Space, Beijing, China.  

The Thread of New Art History, Qinhuangdao Contemporary Art Center, Qinhuangdao, China.  

First Xinjiang Contemporary Art Biennale, Xinjiang International Expo Center, Urumqi, China.  

7.5%, Sokka Art Center, Beijing, China.  

Open Portrait, Minsheng Contemporary Art Museum, Shanghai. 

Sunny Days, Modern Gallery, Seoul, South Korea.  

My Letter, Songzhuang Art Museum, Beijing, China.  

All Our Ways, Pinart Gallery, Beijing, China.  

Micro Life, Sokka Art Center, Beijing, China.  

Diffuse, the 54th Venice Biennale, China Pavilion, Venice, Italy.  

The Great Show, Pace Beijing, Beijing, China.  

Masters of the Renaissance, ERIKSBERGSHALLEN, Gothenburg, Sweden.  

Images: Islamic Imagery and Modernity, Martin Gropius Museum, Berlin, Germany.  

China -- another vision, Augsburg Fine Arts Association, Augsburg, Germany.  

Clue 2: Fang Lijun, Wang Yin, Xiao Yu and Yang Maoyuan, Hejingyuan Art Museum, China.  

ART SUMMER 2009, Hellerau, ART Europe Center, Dresden, Germany.  

Mahjong: Sigg's Collection of Chinese Contemporary Art, Peabody Essex Museum, Salem, Massachusetts, USA.  

Facing China, Haugar-Vestfold Art Museum, Tensberg, Norway/Kuopio Art Museum, Finland/Salo Art Museum, Finland/Ystads Art Museum, Sweden.  

"Facing China", Schwaz Municipal Art Museum, Innsbruck Art Space, Austria, Audry/Akerry Art Museum, Iceland.  

Come here!  Li Space, Beijing, China.  

Transplanting: The Post-modern Way in Chinese Contemporary Art, China Art Museum, Shenzhen, China.  

Tianxia: International Vision in Contemporary Painting, Blank Space, Beijing, China.  

Xanadu, ALEXANDER OCHS Gallery, Berlin, Germany. 

Dongda Mingchuangku 2000-2007, Dongda Mingchuangku, Shanghai, China.  

Pride and Romance, Ordos Art Museum, Ordos, China.  

78910 -- Wang Yin, Lu Hao, Yang Maoyuan and Xiao Yu, Art Gallery, Shanghai, China.  

Emotion and Form, Danish Art Center, Beijing, China.  

Clues, White Space, Beijing, China.  

Mah-jongg Chinese Contemporary Art Collection exhibition, Bern Museum, Bern, Switzerland.  

Days of a Dog, Stephen Lawrence Gallery, UK.  

"Red New Year Film Exhibition"-The Doctrine of the Mean, The Horse Hospital Contemporary Art Center, London, UK.
 The Fall, China Modern Art Foundation, Ghent, Belgium.
 The First China International Architectural Art Biennale, National Art Museum of China, Beijing, China.

Alors, La Chine, Centre Pompidou, Paris, France.  

Contemporary Chinese Art Exhibition, National Gallery of Poland, Warsaw, Poland.  

Villa Art Museum - Conditional Concept, Sanhe Art Center, Beijing, China.  

"When it rains, When It Leaks", Dongda Ming Chuangku, Shanghai, China.  

Dream, Red House, London, UK.  

W.X.Y, Art Document Warehouse, Beijing, China.  

Excess of Fun, Shanghai, China.  

Transformation, World Square Art Center, Beijing, China.  

Chinese Contemporary Art Exhibition, VILLA BREDA Museum, Padua, Italy.  

New Starting Point, Artist Warehouse, Beijing, China.  

Weightlessness, GALERIE VOLKER DIEHL, Berlin, Chengdu Biennale, Chengdu, China. 

"Pain" -- Wang Yin, Xiao Yu and Yang Maoyuan's works exhibition, Artist Warehouse, Beijing, China. 

Uncooperative way, Donglang Art, Shanghai, China.  

Opening the Passage, Dongyu Art Museum, Shenyang, China.  

Chinese Contemporary Art Four, ODDEN LADEGAARD, Copenhagen, Denmark.  

Shanghe Art Museum Collection Exhibition, He Xiangning Art Museum, Shenzhen, China.  

New Image -- Conceptual photography exhibition, Beijing Visual Arts Center, Beijing, China. 

Chinese Oil Painting Biennale, National Art Museum of China, Beijing, China.  

Northeast Contemporary Art Exhibition, Liaoning Art Museum, Shenyang, China.  

Modern Chinese Art Exhibition, National Art Museum of China, Beijing, China.  

Zheng Yuan


Borned in 1988 in Lanzhou, now lives and works in Beijing.  In 2015, he graduated from the Art Institute of Chicago with an MFA in Film, Video and New media. 

Zheng's work focuses on the relationship between identity and value systems in different political, social and historical situations.  His image creation is between fiction and investigative research, accompanied by the appropriation and translation of acquired images to obtain the overlapping context and intertextuality.  


Recent solo exhibitions include:  

2020 "Forward, Backward", Madeen Gallery, Shanghai.  

2017 "Pending", Taikang Space, Beijing.  

2016 "An Open Studio",PRACTICE Space,New York.  


Recent group exhibitions include:  


Long Greetings, UCCA Ullens Center for Contemporary Art, Beijing.  

"Everything you've ever wanted is on the other side of the planet",  

Angewandte Innovation Lab, Vienna.  

"Can't Help Turning around", Middle Art Museum, Beijing.  

"Free Connection" 2020 OCATxKADIST Young Media Artists Exhibition, OCAT Shanghai, Shanghai.  



Light and Shadow,Shanghai chiK11 Art Museum, Shanghai.  



Offline viewing: the 6th Taipei International Video Biennale, Taipei Feng Jia Art Museum, Taipei.  

Chengdu Pompidou: The Global City international Art Biennale, Chengdu.  

"New Metallurgist", Julia Stoschek Collection, Dusseldorf.  

"Long March Project: Illegal Construction iii - Special Zone", Long March Space, Beijing.  



The Ecstasy of Time, He Xiangning Art Museum, Shenzhen.  


His work has also been shown at film festivals and online, including:


Reality Film Festival in Nyon, Switzerland.

"Crashing into the Future",e-flux, online exhibition. 

Fast Falling Time, Geneva Contemporary Art Centre, online.  

"Beyond the Blueprint", Serpentine Gallery xNOWNESS, online.  



65th International Short Film Festival in Oberhausen, Germany.  



55th Annual Ann Arbor Film Festival.  


Zheng Yuan won the 8th Huayu Youth Award Committee Grand Prize in 2020.  

Liang Yuanwei


1999 Graduate from China Central Academy of Fine Arts, Bachelor's degree.

2004 Graduate from China Central Academy of Fine Arts, Master's degree.

Currently lives and works in Beijing, China.


Solo Exhibitions

2019  One Object, Hunan Museum, Changsha, China.

2017  Behind the Curtain, Palazzo Pisani-Conservatorio de Musica, Venice, Italy.

2015  OVAL, Xi’an OCAT, Xi’an, China.

2014  The Tension between a Bow and an Elephant, Pace London, London.

2013  Pomegranate, Beijing Commune, Beijing, China.

2010  51m2: 15# Liang Yuanwei, Taikang Space, Beijing, China.

2010  Golden Notes, Beijing Commune, Beijing, China.

2008  BLDG 115 RM1904: Liang Yuanwei's Solo Show, Boers-Li Gallery, Beijing, China.


Group Exhibitions

Die Überlegenheit des Unsichtbaren - Abstrakte Malerei aus China, Galerie Frank Schlag & Cie., Essen, Germany.

Glow Like That, K11 Art Foundation, Hong Kong.

Becoming, Today Art Museum, Beijing, China.

Painting, Mapping, National Agricultural Exhibition Center, Beijing, China.

Fantasy Creator, chi K11, Shanghai, China.

Everyday Legend, Shanghai Mingsheng Art Museum, Shanghai, China.

Chinese Whispers-Uli Sigg Collection, Kunstmuseum Bern, Bern, Switzerland.

My Generation: Young Chinese Artists, Orange County Museum of Art, Orange County, U.S.

Miss Dior, Ullens Center for Contemporary Art, Beijing, China.

The Boundaries of Order, Hive Center for Contemporary Art, Beijing, China.

My Generation: Young Chinese Artists, Tampa Museum of Art, Museum of Fine Arts, St. Petersburg, Florida, U.S.   

Chinese Art - the De Heus-Zomer Collection, Museum Boijmans Van Beuningen, the Netherlands.

N12-No.5, Beijing Commune, Beijing, China.

Focus Beijing: De Heus-Zomer Collection, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands.

N12-No.6, Lin & Lin Gallery, Taipei, Taiwan.

Miss Dior-Esprit Dior, Dior, Grand Palais, Pairs, France.

ON |OFF: China's Young Artists in Concept and Practice, The Ullens Center for Contemporary Art, Beijing, China.

The First 'CAFAM • Future' Exhibition: Sub-phenonmena: Report on the State of Chinese Young Art, the Art Museum of China Central Academy of Fine Arts, Beijing, China.

Face, Minsheng Art Museum, Shanghai, China.

BEIJING VOICE: Leaving Realism Behind, The Pace Gallery, Beijing, China.

Exhibition, Taikang space, Beijing, China.

Hot Spots" project-SH Contemporary 11, Shanghai, China.

Catch the Moon in the Water-Emerging Chinese Artists, James Cohan Gallery, New York, U.S.A.

Sweat Dreams(Are Made of This), Leo Project, Shanghai, China.

54th La Biennale di Venezia, Venezia, Italy.

51m2: 16 Young Artists, Taikang Space, Beijing, China.

Painting Lesson 1: Illusion or Delusion, Yang Gallery, Beijing, China.

Visual Structure, A4 Gallery, Chengdu, China.

Beijing Voice, Pace Beijing, Beijing, China.

Alex: A Tribute to Alexander McQueen, James Cohan Gallery, Shanghai, China.

SUPERNATURAL: The Secret Life of Things in Chinese Art and Design, Milan Design Week, Italy.

Santa's Workshop Shanghai, James Cohan Gallery, Shanghai, China.

IL DIO DELLE PICCOLE COSE, Casa Masaccio Contemporary Art Space, San Giovanni Valdarno, Arezzo, Italy.

Normality, Fine Arts Literature Art Center, Wuhan, China.

Worm Up, Minsheng Art Museum, Shanghai, China.

Just Around The Corne, Arrow Factory Space, Beijing, China.

Domino Plan In The Space, Chen Linghui Contemporary Space, Beijing, China.

NEW-TRENDS: Fifteen Contemporary Chinese Artist, Pacific Heritage Museum, San Francisco, United States.

Soliloquy: The Reconstruction of Art, Shuimu Art Space, Beijing, China.

Mahjong: Contemporary Chinese Art from the Sigg Collection, Berkeley Art Museum, U.S.A.

Homesickness-Memory and virtual reality, T Space Gallery, Beijing, China.

Hidden Life: Apartment Diary, Lin & Keng Gallery, Beijing, China.

Asking For It: Everyday Neurosis in Chinese Contemporary Art, Mackintosh Gallery , Glasgow School of Art, Glasgow, Scotland.

Red Aside, Contemporary Art collection by Uli Sigg Collection Foundation Joan Miro, Barcelona, Spain.

Sample, Young photography artists in China, Potential Space Gallery, Beijing, China.

Zhu Yi!, Chinese Contemporary Photography, ARTIUM of Contemporary Art, Span.

Is It Ok to Have Fun In An Art Gallery?, Beijing Tokyo Projects, Beijing, China.

Extraordinary: Non-commercial, He Xiangning Art Terminal, Shenzhen, China.

N12: Fourth Annual Exhibition, C5 Gallery, Beijing, China.

Limitation&Freedom, Fine Arts Literature Art Centre, Wuhan.

Liang Yuanwei&Yang Jing , Espacio Mínimo Gallery , Madrid, Span.

Diffusion of International Contemporary Art Exhibition, Kwangju, Korea.

7 young Artists, Zero Gallery, Beijing, China.

Naughty Kids: the Chinese New Generation Born After 1970, Star Gallery, Beijing, China.

N12: Third Annual Exhibition, Art Museum of Central Academy of Fine Arts, Beijing, China.

N12: Second Annual Exhibitio, Central Academy of Fine Arts Museum, Beijing, China.

N12-No.1, Central Academy of Fine Arts Museum, Beijing, China.

VV2-Recycling the Future, Venice, Italy.

Art Project 2000, Beijing, China.

Touch, Beijing, China.

Time of Er Chang, Yun Feng Gallery, Beijing, China.

Qiu Xiaofei


B. 1977, Ha Erbin, Hei Longjiang.

He graduated from the Middle School affiliated to The Central Academy of Fine Arts in 1998 and from the Oil Painting Department of the Central Academy of Fine Arts in 2002. He co-founded the representative youth art group "N12" in China in the following year.


Qiu xiaofei's artistic practice includes oil painting, watercolor, three-dimensional painting, sculpture, installation and other media, and his early creation focuses on image traceability related to memory.  The recent creation has experienced a process from "reappearance of painting" to "reappearance of painting". The theme of creation has gradually gone deep into the exploration of cultural psychology and social subconsciousness, explored the improvisation and instability in the process of the promotion of painting action, and sought a balance point with tension among the mixed and rich images.


Qiu Xiaofei’s works have been featured in group exhibitions in major museums and institutions in China and abroad including Kunstmuseum Bern, Switzerland; ZKM Museum, Karlsruhe, Germany; Tate Liverpool, Liverpool, UK; Groninger Museum, Groningen and Boijmans Van Beuningen, Rotterdam, the Netherlands; Castello Di Rivera, Turin, Italy; Tampa Museum of Art, Tampa, Crystal Bridges Museum of American Art, Bentonville, and the New Britain Museum of Art, New Britain, USA; Times Art Museum and Guangdong Museum of Art, Guangzhou, OCAT Shenzhen, Shenzhen, Long Museum, Yuz Museum and Tank Shanghai, Shanghai, and G Museum, Nanjing, China, to name a few.


Since 2000, he has held 12 solo exhibitions and participated in nearly 80 group exhibitions, including The Real Thing, Tate Liverpool, Liverpool, UK (2007), the 10th Havana Biennale, Havana, Cuba (2009) and Oscurita (Meng Long): Collateral Special Institutional Exhibition of the 54th Venice Biennale, Venice, Italy (2011). In 2013, Shanghai Minsheng Art Museum held a solo exhibition for Qiu Xiaofei in the main exhibition hall while in the same year his work was presented in Ullens Center for Contemporary Art, Beijing, China. In 2014, Pace Gallery Beijing held a solo exhibition for him entitled Apollo Bangs Dionysus and in 2016, Pace Gallery New York presented Qiu Xiaofei: Double Pendulum, his first North American solo exhibition. In 2020, Beijing New Century Contemporary Art Foundation held Qiu Xiaofei's case-study exhibition which reviewed the artist's creative process in the last two decades and exhibited his latest works. In 2021, Qiu Xiaofei will hold his second solo exhibition in North America at Pace Gallery in New York

Huang Yishan


1983    Born in Shantou, Guangdong, China.

2009    Get M.A.in the Oil Paintion Department of Guangzhou Academy of Fine Arts.

Now    The lecturer in the Oil Painting Department of Guangzhou Academy of Fine Arts.


Solo Exhibition

2019   Huang Yishan Solo Exhibition,Tang Contemporary Art,Beijing.

2019   Interference:Artworks of Huang Yishan,Guangdong Museum of Art, Guangzhou.

2018   MiniQ,O2ART SPACE,Beijing.

2017   Dimension Imitation Transformation,Tang Contemporary Art, Hong Kong.

2016   The Half-open Door, Central Habourfront, Hong Kong.

2015   Blue Sky, Fei Gallery, Guangzhou.

2013   Not an investigation and research of physical things Antimetaphysical space narrative, Tong Space, Beijing.



Group Exhibition

 Idea And Practice-The Exhibition of Guangdong Art Museum’s collection, Hubei Museum of Art, Hubei, China.

 Round and Develop-Academic Invitation Exhibition of Comprehensive Material Painting,  CAFA Art Museum, Beijing, China.


One-Nominate-One, Guangdong Museum of Art, Guangdong, China.

The Curation  Workshop II-Story and Structure,OCT Art and Design Gallery, Guangdong, China.


Wall Space:As Defining Boundary of Modern Painting, PHONENIX SEEWELL International Art Center, Fuzhou,China.

Superstructure,Leo Gallery Shanghai,China.


Into The Wilderness, O2art, Beijing, China.

The concept of hot and cold harddedges – The deve lopment trend of the research of a painting exhibition, Lingnan Museum of Art, Dongguan, China.


2017Bi-city Biennale of Urbanism\Architecture – Shenzhen Industrial Station, Shenzhen, China.


AMUA Academies Project: THRESHOLD FREQUENCY, Nanjing, China.

China Now |X London OXO|Define the Indefinable Young Chinese Artists Exhibition,London,Britain.

The Decameron – BMCA Documenting Art,Blue Mountain Contemporary Art, Beijing, China.




2014    People with Goosebumps, collected by Hubei Museum of Art, Wuhan.

2010    Confession, collected by Qinghe Museum of Contemporary Art,Nanjing.

            The Bathroom of Milk Series, collected by 53 Art Museum, Guangzhou.

2009    The Kitchen of Milk Series, collected by He Xianning Art Museum, Shenzhen.

            Dish Sterilizer, collected by White Rabbit Museum, Sydney, Australia.

2007    Divers 2, collected by Guangdong Museum of Art, Guangzhou.


Fan Xi


Fan Xi graduated from the Sculpture Department of the Central Academy of Fine Arts in 2009 and currently lives and works in Beijing. In her long-term practice, Fan Xi explored the profound impact of spatial and psychological distance and the act of distancing on sensorial experience. Working in photography, film, sculpture and installation, she examines the interwoven relationships between everyday experience, the production of fictions, and heterogeneous times.


Recent exhibitions include:
“IN THE MIDST OF IT ALL”, Golden Eagle Museum of Art,Nanjing
“Alienacion de La Naturaleza ”,Biblioteca Miguel de Cervantes,Shanghai
“Stroll”,Cloud Art Musuem,Shenzhen
“Within 5m”, CLC Gallery Venture, Beijing

“When to sail?”, Guangdong Museum Of Art, Guangzhou
“Casting Votes”, CLC Gallery Venture, Beijing
“L’s living room”, Konfuzius-Institut Nurnberg-Erlangen, Nurnberg

“PEER TO PEER”, Shanghai Center of Photography, Shanghai
“PEER TO PEER”, Open Eye Gallery, Liverpool
“A Composite Leviathan”, Luring Augustine, New York, Bridge Projects, Los Angeles

“Have a Nice DAY!”, Room 105, Baishu Hutong, Dongcheng District, Beijing
“After Sunset”, Gallery Liusa Wang, Paris
“Le déplacement ”, Gallery Liusa Wang, Paris 

“Bad New Days Ahead”, Tai Kang Space, Beijing

“Reduction of Image”, Yang Gallery, Beijing

“The Black Dwarf/Part 2”, Star Gallery, Beijing

“The Black Dwarf/Part 1”, Star Gallery, Beijing

Duan Ni


Tao Body Theatre Artistic Director/Creative dancer


Born in Xi 'an, Sha Xi province, She studied in Shaanxi Art School and the Modern Dance Choreography Class (Guangdong Class) of Beijing Dance Academy founded by Ms. Yang Meiqi, a famous Chinese dance educator and former head (founder) of Guangdong Experimental Modern Dance Troupe. During the school period, she won ACC scholarship and went to the American Dance Festival to study and exchange.It is the first time for her to systematically teach "relaxation techniques" in China, and her cutting-edge teaching concept subvert the inherent body movement concept of domestic dancers.  


She has worked as a dancer in Shanghai Jinxing Dance Company, London Arkham Dance Company, and Shen Wei Dance Art in New York. In 2008, she became a dancer and artistic director of Tao Body Theater.As the first modern dancer in China to be invited by an international dance company, Duan ni embraces all ideas and styles with the inclusiveness of her body in this series of rich backgrounds at home and abroad, and forms her body language and characteristics with both softness and toughness, purity and openness.She has performed three times with different dance companies at New York's Lincoln Center, the world's performing arts center, and has been featured three times in the New York Times, which praised her as "extraordinarily powerful, formidable, and in control."Recommended by VOUGE in 2019, she was selected as a "Light of Power" outstanding woman by Italian fashion brand BVLGARI.  

Colin Siyuan Chinery


Colin Siyuan Chinnery is an artist and curator based in Beijing. Chinnery graduated in Chinese Language and Civilisation at London University's School of Oriental and African Studies (SOAS) in 1997. From 1998 to 2002 he worked at the British Library's International Dunhuang Project, a project dedicated to facilitating international research of the voluminous collection of ancient manuscripts discovered in Dunhuang, setting up the project’s Beijing office at the National Library of China.

In 2002 Chinnery moved to China and began exhibiting widely as an artist in China, Europe and the US. Currently he is developing a major project titled Sound Terminus, a multi-faceted undertaking including a history of social sounds, sound art, online social engagement, and collaborative projects.

Chinnery runs the exhibition programme at the Beijing non-profit art space The Bunker, was Director in 2009 and 2010 of ShContemporary Art Fair in Shanghai, and between 2006-2008 he was Deputy Director and Chief Curator of Ullens Center for Contemporary Art (UCCA) in Beijing, playing a central role in setting up China’s first major contemporary art institution. Between 2003 and 2006, as Arts Manager for the British Council in Beijing, he initiated major projects in experimental theatre, live art, sound art, and visual arts, bringing a wider public into contact with experimental practice. Chinnery writes regularly about contemporary art and is contributing editor for Frieze magazine.